After a year of not much painting, but a whole pile of web design and graphic design, I finally cracked a month ago and determinedly put my painting at the top of the priority pile. Consequently I now have a backlog of work to catch up on, but I do have four paintings that have […]
Since about December last year, this household has been alive with Dragons. Dreamworks Dragons to be exact. Myself, and both my two girls have been madly watching every little bit of this world we can get our hands on, particularly my youngest who recently had her fifth birthday and a Dreamworks Dragons party to celebrate. […]
So I discovered Vincent van Gogh. I read about his life several times, stared at his art, considered his philosophy, and realised that the great painters were just like any of us, products of their time, with perhaps a little more mind altering substances at hand.
And this was my second attempt. I think something clicked, though I’m still not one hundred percent sure. The closest I could get to the requested concept was to pixelate the image and place each of the colours side by side, mixing, if necessary, on the palette, not the painting. It was the only logic I could find.
Around the beginning of the 20th century, after Impressionism, Monet, Renoir, Post-Impressionism, Van Gogh and Toulouse-Lautrec, French art was faced with an exhibition that took the concepts dreamt up by those two previous movements and artists and took them one step further. This was the time of Matisse.